تحلیل گفتمان بازجویی در سینمای ایران: نقش پیش‌فرض و تهدیدهای کلامی در فرآیند اعتراف‌گیری

نوع مقاله : علمی-پژوهشی

نویسندگان

1 دانشیار گروه زبان شناسی، دانشکده ادبیات و زبانهای خارجی، دانشگاه پیام نور، تهران، ایران (نویسندۀ مسئول)،

2 استادیار گروه آموزش زبان انگلیسی، واحد خرم آباد، دانشگاه آزاد اسلامی، خرم آباد، ایران

10.30465/ls.2026.52875.2218
چکیده
این پژوهش در چارچوب زبانشناسی حقوقی و با بهره‌گیری از دو رهیافت مکمل، دسته‌بندی گیبنز (۲۰۰۸) از انواع سؤالات بازپرسی و نظریه پیش‌فرض یول (۱۹۹۶)، به تحلیل گفتمان بازجویی می‌پردازد. قلمرو این مطالعه، بازنمایی گفتمان بازجویی در سینمای ایران است و داده‌های آن از صحنه‌های بازجویی فیلم «متری شیش و نیم» گردآوری شده‌اند. نتایج نشان می‌دهد که متهمانِ بازنمایی شده در فیلم، از تکنیک پیش‌فرض آگاه هستند و با ردّ نظام‌مند آن، راه را برای اعتراف سریع می‌بندند. این امر بازجویان را ناگزیر به اتکا بر تهدیدهای کلامی به عنوان راهبرد غایی می‌کند. از نظر آماری، جملات خبری که حاوی فشار گفتمانی بیشتری هستند، پرکاربردترین نوع پرسش بودند. همچنین، سؤالات باز نه با هدف کسب اطلاعات جدید، بلکه عمدتاً برای تأیید پیش‌فرض‌های ازپیش‌تعیین‌شدۀ بازجو به کار رفته‌اند. این پژوهش با تمرکز بر بازنمایی سینماییِ بازجویی، تهدید صرفاً زبانی و تلفیق دو چارچوب نظری مذکور، گامی نوین در مطالعات فارسی در این عرصه محسوب می‌شود.

کلیدواژه‌ها

موضوعات

عنوان مقاله English

Interrogation Discourse in Iranian Cinema: The Role of Presupposition and Verbal Threats in the Confession-Elicitation Process

نویسندگان English

حسین رحمانی 1
Mojhgan Chegeni 2
1 Associate Professor, Department of Linguistics, Faculty of Humanities, University of Payame Noor, Tehran, Iran. (Corresponding Author)
2 Assistant Professor of English Teaching Department, Khor.C., Islamic Azad University, Khorramabad, Iran.
چکیده English

Abstract:
This research, within forensic linguistics and utilizing two complementary approaches, Gibbons' (2008) typology of interrogation questions and Yule's (1996) theory of presupposition, analyzes the discourse of interrogation. The scope of this study is the representation of interrogation discourse in Iranian cinema, and its data are gathered from interrogation scenes in "Metri Shesh-o Nim". Results indicate that the represented defendants are aware of presupposition techniques and, by systematically rejecting them, block the path to a quick confession. This compels the interrogators to rely on verbal threats as an ultimate strategy. Statistically, declarative questions, which contain greater discursive pressure, were the most frequently used type of question. Furthermore, open questions were employed not with the aim of obtaining new information, but primarily to confirm the interrogator's pre-established presuppositions. By focusing on the cinematic representation of interrogation, purely linguistic threats, and the integration of the two aforementioned theoretical frameworks, this research represents a novel step in Persian studies in this field.
Keywords: Forensic Linguistics, Interrogator, Defendant, Threat, Question, Yule’s Theory of Presupposition

1. Introduction
Forensic linguistics examines the intersection of language and the legal process, with interrogation discourse representing a critical site where power asymmetries become linguistically manifest. This study analyzes the representation of police interrogation in Metri Shesh-o Nim (6.5 Per Meter) through the complementary frameworks of Gibbons' (2008) typology of interrogation questions and Yule's (1996) theory of presupposition. The research operates on the premise that interrogation represents the antithesis of "ideal dialogue" (Wang, 2006), where hierarchical structures create inherent power imbalances. In such institutional settings, language becomes a tool for control rather than communication, with questions serving as vehicles for presuppositions that frame the interaction according to the interrogator's narrative. This study addresses four research questions concerning: (1)defendants' reactions to presupposition-laden questions, (2)interrogators' strategies when presuppositions are rejected, (3)the distribution and function of question types according to Gibbons' taxonomy, and (4)the strategic purposes of open questions beyond information gathering.

2. Materials & Methods
The research employs a qualitative case study design, analyzing four interrogation sequences from Metri Shesh-o Nim involving different suspects: Hasan Gavi, Naser Khakzad's former fiancée, a disabled man and his young son, and the main suspect Naser Khakzad himself. Data collection involved meticulous transcription of 106 conversational turns from these scenes. The analytical approach combined two theoretical frameworks: Gibbons' (2008) classification of interrogation questions (declarative, tag, yes/no, alternative, open, and projective questions) and Yule's (1996) taxonomy of presupposition triggers (existential, factual, lexical, structural, non-factual, and counterfactual). Each interrogative utterance was coded according to both frameworks, with particular attention to how presuppositions were embedded within different question types and how suspects responded to these linguistic maneuvers. The analysis focused on the dynamic interplay between interrogators' imposition of presuppositions and suspects' resistance strategies, examining how these discursive negotiations ultimately shape the outcomes of the interrogations.

3. Discussion & Results
The analysis reveals several significant patterns in the interrogation discourse:
3.1. Quantitative Distribution of Question Types
The aggregated data from all interrogation scenes shows declarative questions as the most frequent type (42 instances, 47.19%), followed by open questions (20 instances, 22.47%), yes/no questions (16 instances, 17.98%), tag questions (5 instances, 5.61%), alternative questions (4 instances, 4.49%), and projective questions (2 instances, 2.25%). This distribution indicates interrogators' preference for question types that exert greater discursive pressure and control over the interaction.
3.2. Strategic Use of Presuppositions
Interrogators systematically embed multiple types of presuppositions within their questions. For instance, in interrogating Hasan Gavi, the question "You stuffed the drugs in their stomachs so they wouldn't be discovered, right?" contains existential presuppositions (>>drugs exist, >>they were concealed), lexical presuppositions (the verb "stuffed" presupposes deliberate concealment), and structural presuppositions (the tag question format presupposes agreement). Similarly, when questioning Naser Khakzad, interrogators use projective questions like "Do you remember the night you called Hamid and told him to come get their child alive?" which presupposes the truth of the embedded proposition (>>Naser made this call).
3.3. Suspect Resistance Strategies
Despite the power imbalance, suspects demonstrate remarkable linguistic agency through various resistance strategies:
Systematic rejection of presuppositions: Suspects consistently deny the presuppositions embedded in questions rather than simply answering the surface question.
Frame breaking: Hasan Gavi challenges the interrogator's conceptual framework by asking "What gang? These are our childhood friends from the neighborhood."
Topic shifting: Suspects frequently attempt to redirect the conversation away from incriminating topics.
Emotional appeals: Suspects invoke emotional language and personal relationships to mitigate pressure.
3.4. Escalation to Verbal Threats
When linguistic strategies of presupposition fail, interrogators consistently escalate to explicit verbal threats. These threats range from legal consequences ("Do you want me to take this footage to the judge tomorrow and have your sentence doubled?") to personal and emotional coercion ("Would you like it if while you're in prison he divorces you in absentia and then you hear he's married someone else?"). This pattern suggests that in the cinematic representation, the interrogative process relies ultimately on coercion rather than discursive persuasion.
3.5. Instrumental Use of Open Questions
Contrary to their apparent purpose, open questions are employed not primarily for information gathering but to confirm the interrogator's pre-established presuppositions. For example, questions beginning with "how" and "why" typically presuppose the truth of their embedded propositions rather than genuinely seeking new information.

4. Conclusion
The interrogation in Metri Shesh-o Nim depicts a discursive battlefield where language is weaponized. Interrogators assert control through frequent declarative questions and strategically embedded presuppositions. Yet suspects exhibit discursive agency, actively recognizing and resisting these tactics. The consistent escalation to verbal threats when manipulation fails critiques the process as fundamentally coercive, not truth-seeking. This study contributes to forensic linguistics by integrating Gibbons' and Yule's frameworks, revealing precise linguistic mechanisms of power in an Iranian cinematic context. The findings both resonate with and nuance Western research, particularly in highlighting suspect resistance. Future comparative studies across cultures and film traditions could further illuminate the nexus of language, power, and institutional discourse.

کلیدواژه‌ها English

Forensic Linguistics
Interrogator
Defendant
Threat
Yule’s Theory of Presupposition
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دوره 16، شماره 1
شهریور 1404
صفحه 305-338

  • تاریخ دریافت 24 شهریور 1404
  • تاریخ بازنگری 06 بهمن 1404
  • تاریخ پذیرش 20 بهمن 1404