Configuration of Iranian myths
Pages 1-20
https://doi.org/10.30465/ls.2024.48623.2186
ameneh zaheri abdollahvand
Abstract Abstract
The configuration and positioning of Iranian myths can introduce us to the place of these myths among the myths of different nations. The special and very influential position of Iranian myths has made these myths an exceptional and difficult figure that can be seen in the myths of other nations. Iranian myths can be used as a key to understanding other myths because there is no concept, theme, or feature that is missing in Iranian myths. This article emphasizes on three themes, the origin and functions of Iranian myths based on modern mythological studies. The characteristics of Iranian mythology and knowing its mythological sources and its foundations, a general picture of Iranian myths has been obtained in this article. In the text of this article, the study of Iranian mythological geography and the division of Iranian myths into old and new, the foundations and special characteristics of Iranian mythology and Finally, the recognition of mythological sources emphasizes. Proving independence and being stable based on Iranian ideas and beliefs and opposing any copying of Iranian mythology are among the things he mentioned in this article.
Introduction
According to the opinions of mythologists of the 19th and 20th centuries about the concept of myth, a precise definition of this word has not been found so far. But the researchers tried to provide a precise definition by examining the origin, thematics and mythological functions. It seems that the thinkers of this field were able to achieve this definition in the 20th century, although the opposition continues, but they have accepted that myth is acceptable and inevitable for all human societies. Iranian myths, which is the most important part of this article, is considered one of the most challenging and controversial myths of the nations due to the wide range of topics and numerous and scattered criticisms, and this article is trying to find a way to know the characteristics, functions and divisions of myths. make Iranian mythology smooth.
Materials and research method
In addition to the introduction, which deals with the general topics of mythology, this article deals with the four main topics of knowing and investigating the geography of Iranian myths, dividing Iranian myths into old and new, the foundations and special characteristics of Iranian mythology, and finally, the knowledge of mythological sources. In the study of the geography of Iranian myths, firstly, the natural geographical position of Iran and the importance of this position as a cultural crossing between the three cultures of the Mesopotamia, Trans-Nether and Indus have been discussed, and then this geographical position has been examined from the mythological point of view. Collecting first-hand and reliable sources in the field of Iranian mythology and categorizing these sources based on the topic of which part of Iranian mythology each of these works are concerned with has been considered in the research method. In the third part, which is the examination of the main themes and special features of Iranian mythology, it is given as the most important part of the article.
Discussions
In this first article, the general discussions and opinions of the mythologists of the 19th and 20th centuries and their views on the word myth and giving a precise and scientific definition of it are given in the introduction of the article. The second is the discussion of the main titles, which was first discussed about the natural geographical location and then the mythological geography. The position of the land of Iran in Iranian mythology is in the middle region, i.e. Bloody. Therefore, the land of Iranwij has a privileged position in mythology, because from a mythological point of view, being in the middle of Iran can mean that it is important in creation.
The third topic of this article is the author's comments about the characteristics and foundations of Iranian mythology. Features such as flexibility, purposefulness, dualism, choice and free will, preciousness of material life, etc., he considered Iranian mythology to be rare among the myths of nations in terms of structure, or perhaps unique.
The fourth discussion is about the division of Iranian myths. This article has divided these myths into two parts, new and old. In the old part, they still maintain their cultural and religious affiliations with the Aryan tribes before the migration. These myths are generally designed in the form of cosmic battles and natural phenomena, the battle of gods and amazing actions and breaking the habit that show manifestations of the power and violence of nature, while in the new myths that are based on written and oral sources in the form of a coherent plan and It is presented as a single set. Mythological sources are mostly Zoroastrian, although sometimes there is a mixture of other religions or beliefs such as Zoroastrianism, Manoism and Christianity.
The fifth topic is sourceology and the sources are divided into Iranian and non-Iranian groups. Non-Iranian sources mainly due to cultural and ethnic commonalities include Indian, Manuscript, Islamic and Arabic sources and Iranian sources such as Avesta texts, Pahlavi language and other texts that have been widely discussed.
Conclusion
The first targeted point is to reach a complete and inclusive model of myths in the form of Iranian myths because this model can only be seen in Iranian myths. Mentioning the essences and characteristics of Iranian mythology provides a platform for understanding that mythological commonalities should not lead us in a wrong direction and false belief and let us accept that Iranian myths are copied from other nations, especially West Asian nations. Defending independence in processing and presenting Iranian myths is the main and ultimate goal of this article because the author believes that the wisdom of Iranians is quite evident even in the formation of their myths.

